"Sheldon? No, no, you did not have great sex with Sheldon;"
-Harry Burns from When Harry Met Sally
John Prine names names in his songs. He names six names in his song "Hello in There" alone. His are titled things like, "Billy the Bum," "Sam Stone," and "Donald and Lydia." Noted as a songwriter who creates great characters, John Prine often names those characters. Naming those characters gives them substance. "Angel of Montgomery" leads with the first line "I am an old woman, named after my mother..." Even when Mr. Prine doesn't name his characters he can still define them by with their name.
Names are often attached to certain types of people in our minds. In When Harry Met Sally; Harry rants; " A Sheldon can do your income taxes. If you need a root canal Sheldon's your man, but humping and pumping is not Sheldon's strong suit." Name a character "Tim" or a "Timmy" in a story and he's likely to be gentle, kind, and not infrequently, mentally handicapped. The book "Freakonomics" points to evidence that trends in name popularity can tell us how old a person is, whether it's likely they are upper or lower class, even a persons ethnic origin. Name a character Sully and your essentially naming an archetype--a working class plugger.
When John Prine needs and elderly woman to play the wife of the main character in "Hello in There" he chooses Loretta.
Picking a name and writing about the character that forms in your mind with that name is a great way to jump start a song. If your song is limping along morosely and you notice a collection of lifeless pronouns on the page, name the characters and watch them spring to life. The names don't have to be anything special, just go with the first name that pops into your head and start writing. Still not convinced of the power of names, conjure up an image for the names Theodor Geisel or Declan MacManus. Now go Google them. See?
Song Prompt: Today start with a persons name.







